12/18/2023 0 Comments 70s soft rock music![]() ![]() But in recent years, its influence has appeared everywhere from dance music to teen pop to rock. There was a small resurgence in the ecstasy-fuelled Balearic scene of late-80s Ibiza, keen on overturning what DJ and soft rock fan Matthew Hamilton calls “that kind of post-punk stranglehold on taste and what was credible”. It is music that is bigger now than at any time since its heyday, which by common consent stretched between 1976, when McDonald joined – and transformed the sound of – the Doobie Brothers, and 1983, when the faceless-but-virtuosic session musicians in Toto swept the board at the Grammys with the 3m-selling Toto IV. Michael McDonald is quietly delighted with his oeuvre being reassessed. McDonald has a typically unassuming explanation for why a boundary-pushing funk auteur and some hip Brooklyn alt-rockers might be keen to work with him, aged 65, having weathered years in which “people thought having to listen to my music was like having to swallow dish detergent”: “If you live long enough, you get further away from the period of time you might be identified with – the 1970s in my case,” he says. But now, because of working with Thundercat and Grizzly Bear, and being sampled by hip-hop artists, it’s opened the door a little wider to a different kind of audience.” “Typically, they used to say: ‘Oh, my parents played your music all the time,’ like they had been tortured with it in their youth, but somehow came to like it. “People who come and meet you afterwards by the bus, it’s usually the younger, more energetic ones, who don’t have to be home to let the babysitter go,” he chuckles. I t’s not so much that the crowds at his live shows are getting younger, says Michael McDonald, more that the younger audience members’ reasons for being there appear to have changed.
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